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Hand Dyed Shibori Scarves – Part 2

The best part of dyeing your own fabrics are the beautiful colours you can mix.

Rayon linen Itajime shibori turquoise scarf
Rayon linen Itajime shibori turquoise scarf
Rayon linen Itajime shibori turquoise scarf
Rayon linen Itajime shibori turquoise scarf

Turquoise and blue are beautiful together. I think this would pair nicely with a pair of jeans and navy blazer for the spring.

Rayon linen Itajime shibori blue/gray scarf
Rayon linen Itajime shibori blue/gray scarf

With the scarf above, I wanted to try to create a plaid design. This scarf was folded, wrapped and dipped three times. Each time, the resist I used was larger, covering up more of the scarf and the dye bath was intensified.

Rayon linen Itajime shibori blue/gray scarf
Rayon linen Itajime shibori blue/gray scarf

I will try this technique again, and try for a little more variation between the first two dye baths.

Rayon linen Itajime shibori green/gray scarf
Rayon linen Itajime shibori green/gray scarf
Rayon linen Itajime shibori green/gray scarf
Rayon linen Itajime shibori green/gray scarf

A circular resist was used for this yellowish green and blue/gray scarf.

Rayon linen Itajime shibori orange scarf
Rayon linen Itajime shibori orange scarf
Rayon linen Itajime shibori orange scarf
Rayon linen Itajime shibori orange scarf

Coral and brown are always a great colour combination. This scarf was tightly twisted before being dyed.

Rayon linen shibori blue scarf
Rayon linen shibori blue scarf

Cerulean blue and black used to dye the scarf above. The same twisting technique was used as in the coral and brown scarf, but, this was not twisted as tightly. You can see that the dye penetrated the entire scarf with no light spots.

Rayon linen Itajime shibori parfait scarf
Rayon linen Itajime shibori parfait scarf
Rayon linen shibori parfait scarf
Rayon linen shibori parfait scarf

 

Rayon linen shibori teal/gold scarf
Rayon linen shibori teal/gold scarf

The scarf above was dyed using the Parfait method described by Ann Johnston in her book: Color by Accident. The scarf was first submerged in yellow, then turquoise and finally in the gray. I love the colours together – it looks like two completely different scarves, when it’s folded in half.

All of these scarves are available for purchase: $40.00 each. They are 17″ wide and 70″ long. They are easy to care for: machine wash and air dry. They are a great way to add some colour to your wardrobe this spring!

 

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Hand Dyed Shibori Scarves – Part 1

I love dyeing, the colours, designs and textures you can create by folding, scrunching and tying up fabric is limited only by your patience!

Rayon linen itajime shibori fuchsia scarf
Rayon linen itajime shibori fuchsia scarf

 

Rayon linen itajime shibori fuchsia scarf
Rayon linen itajime shibori fuchsia scarf

I found some beautiful rayon/linen fabric that I sewed up into scarves. The fabric has a lovely drape and dyes beautifully.

Rayon linen Arashi shibori pink scarf
Rayon linen Arashi shibori pink scarf

 

Rayon linen itajime Arashi pink scarf
Rayon linen Arashi shibori pink scarf

Each scarf is an original one-of-a-kind piece. Wrap them around your neck, twist them into a belt around your waist, tie them to your hand bag. They will add a dash of colour to any outfit.

Rayon linen Arashi shibori wine scarf
Rayon linen Arashi shibori wine scarf

 

Rayon linen Arashi shibori wine scarf
Rayon linen Arashi shibori wine scarf

These rayon linen scarves were dyed using my favourite colours: fuchsia, pink and purple.

Rayon linen shibori purple scarf
Rayon linen shibori purple scarf

 

Rayon linen shibori purple scarf
Rayon linen shibori purple scarf

The scarves are 17″ wide and 70″ long and available for purchase at $40.00 each. They are machine washable and air dry.

Rayon linen Itajime shibori pink/grey scarf
Rayon linen Itajime shibori pink/grey scarf

 

Rayon linen Itajime shibori pink/grey scarf
Rayon linen Itajime shibori pink/grey scarf
Rayon linen Arashi shibori purple scarf
Rayon linen Arashi shibori purple scarf

 

Rayon linen Arashi shibori purple scarf
Rayon linen Arashi shibori purple scarf

Next week I have more scarves in other colours to show you. Even though I love pink, I do like all colours and know how to mix them! 🙂

 

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Aga Khan Museum

A friend and I visited the Aga Khan Museum this weekend. A very knowledgeable and enthusiastic docent began our visit with an introduction on the design of the building by architect: Fumihiko Maki. He was given the theme of light as his inspiration. An interior courtyard brings light into the center of the building and provides a lovely outdoor space in warm weather.

Leaf from a Qur'an Manuscript North Africa, 9th-10th centuries ink and gold on blue-dyed vellum
Leaf from a Qur’an Manuscript
North Africa, 9th-10th centuries
ink and gold on blue-dyed vellum

Artifacts that are centuries old have colours, textures and designs that seem modern and timeless.

Oculus Syria, Late 12th-early 13th century Fritware, molded and glazed
Oculus
Syria, Late 12th-early 13th century
Fritware, molded and glazed

The museum’s collection of pottery, glass, metalwork, and calligraphy is a source of inspiration.

Bottle Probably Iran, 9th-10th centuries Glass, wheel-cut
Bottle
Probably Iran, 9th-10th centuries
Glass, wheel-cut

The mosaic tiles in the fountain can be translated directly into quilt blocks.

Fountain Syria, 16th century and later Marble and sandstone mosaic
Fountain
Syria, 16th century and later
Marble and sandstone mosaic

Turquoise, blue, and gold colours found in the pottery, are some of my favourites and I imagine them in a project.

Muqarnas (Squinch) Elements probably Samarquand, Uzbekistan, late 14th-early 15th centuries Fritware, carved and glazed
Muqarnas (Squinch) Elements
probably Samarquand, Uzbekistan, late 14th-early 15th centuries
Fritware, carved and glazed
Muqarnas (Squinch) Elements probably Samarquand, Uzbekistan, late 14th-early 15th centuries Fritware, carved and glazed
Muqarnas (Squinch) Elements – detail

More designs that can be directly translated into quilt blocks. Also Ideas for arranging the blocks in various configurations.

Box Spain 16th century Wood inlaid with bone, wood and mother-of-pearl
Chest
Spain 16th century
Wood inlaid with bone, wood and mother-of-pearl
Candlestick Anatolia, Turkey, 14th century' Copper, tin, and zinc alloy, inlaid with silver and gold
Candlestick
Anatolia, Turkey, 14th century’
Copper, tin, and zinc alloy, inlaid with silver and gold

The circular design in the candlestick above reminds me of the New York Beauty block. I can imagine this block on a solid background and heavily quilted with angular lines like in the background above.

Bowl Nishapur, Iran, 10th century Earthenware, slip-painted and glazed
Bowl
Nishapur, Iran, 10th century
Earthenware, slip-painted and glazed

Two dishes in the collection look very modern. I loved the simplicity and elegance of the designs. More information for both of these pieces and many others are available on the museum website in the Collection Highlights tab.

Bowl Nishapur, Iran, early 11th century Earthenware, slip-painted and glazed
Bowl
Nishapur, Iran, early 11th century
Earthenware, slip-painted and glazed
Flying Carpet, 2007 by Farhad Moshiri b. 1963, lives and works in Tehran and Paris 32 stacked macine-made carpets
Flying Carpet, 2007 by
Farhad Moshiri
b. 1963, lives and works in Tehran and Paris
32 stacked macine-made carpets

Although the Aga Khan Museum features historical cultural artifacts from Islamic civilizations, it also features contemporary artwork. The piece above: Flying Carpet by Farhad Moshiri is a stack of 32 machine-made carpets that has a fighter plane cut out of the centre. The artist, Moshiri, was inspired by a documentary on Afghan carpet weavers. They had been incorporating modern technologies into the design of the carpets – planes, drones and other military armaments.

Flying Carpet, 2007 by Farhad Moshiri b. 1963, lives and works inTehran and Paris 32 stacked macine-made carpets
Flying Carpet – overhead view by Farhad Moshiri

Another special exhibit on display until March 26, 2017 is Syria: A Living History. This exhibit contains historical artifacts and contemporary artwork illustrating the diverse culture and history of Syria. Unfortunately, photography was not allowed in this exhibit, so you will have to visit the museum to see the collections in person. The grounds around the museum are also worth visiting – I will need to return in the spring when the weather is a bit warmer!

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Fineline Series – Sight

Sight is part of my Fineline Series of textile paintings. In this series, I have been exploring abstract minimal design.

Each piece is refined to capture the essence of my idea.

Thin strips of fabric are inserted in various configurations to create linear designs.

Machine quilting adds a layer of texture.

The simplicity of the art piece belies the amount of work that goes into the design itself. As in a good recipe, the fewer the ingredients, the more important each one becomes to the successful outcome of the dish.

Sight
©2017 Doris Lovadina-Lee
16 x 20 inches
cotton, linen, silk, thread, on painted canvas
$125.00