The best part of dyeing your own fabrics are the beautiful colours you can mix.
Turquoise and blue are beautiful together. I think this would pair nicely with a pair of jeans and navy blazer for the spring.
With the scarf above, I wanted to try to create a plaid design. This scarf was folded, wrapped and dipped three times. Each time, the resist I used was larger, covering up more of the scarf and the dye bath was intensified.
I will try this technique again, and try for a little more variation between the first two dye baths.
A circular resist was used for this yellowish green and blue/gray scarf.
Coral and brown are always a great colour combination. This scarf was tightly twisted before being dyed.
Cerulean blue and black used to dye the scarf above. The same twisting technique was used as in the coral and brown scarf, but, this was not twisted as tightly. You can see that the dye penetrated the entire scarf with no light spots.
The scarf above was dyed using the Parfait method described by Ann Johnston in her book: Color by Accident. The scarf was first submerged in yellow, then turquoise and finally in the gray. I love the colours together – it looks like two completely different scarves, when it’s folded in half.
All of these scarves are available for purchase: $40.00 each. They are 17″ wide and 70″ long. They are easy to care for: machine wash and air dry. They are a great way to add some colour to your wardrobe this spring!
A friend and I visited the Aga Khan Museum this weekend. A very knowledgeable and enthusiastic docent began our visit with an introduction on the design of the building by architect: Fumihiko Maki. He was given the theme of light as his inspiration. An interior courtyard brings light into the center of the building and provides a lovely outdoor space in warm weather.
Artifacts that are centuries old have colours, textures and designs that seem modern and timeless.
The museum’s collection of pottery, glass, metalwork, and calligraphy is a source of inspiration.
The mosaic tiles in the fountain can be translated directly into quilt blocks.
Turquoise, blue, and gold colours found in the pottery, are some of my favourites and I imagine them in a project.
More designs that can be directly translated into quilt blocks. Also Ideas for arranging the blocks in various configurations.
The circular design in the candlestick above reminds me of the New York Beauty block. I can imagine this block on a solid background and heavily quilted with angular lines like in the background above.
Two dishes in the collection look very modern. I loved the simplicity and elegance of the designs. More information for both of these pieces and many others are available on the museum website in the Collection Highlights tab.
Although the Aga Khan Museum features historical cultural artifacts from Islamic civilizations, it also features contemporary artwork. The piece above: Flying Carpet by Farhad Moshiri is a stack of 32 machine-made carpets that has a fighter plane cut out of the centre. The artist, Moshiri, was inspired by a documentary on Afghan carpet weavers. They had been incorporating modern technologies into the design of the carpets – planes, drones and other military armaments.
Another special exhibit on display until March 26, 2017 is Syria: A Living History. This exhibit contains historical artifacts and contemporary artwork illustrating the diverse culture and history of Syria. Unfortunately, photography was not allowed in this exhibit, so you will have to visit the museum to see the collections in person. The grounds around the museum are also worth visiting – I will need to return in the spring when the weather is a bit warmer!
Sight is part of my Fineline Series of textile paintings. In this series, I have been exploring abstract minimal design.
Each piece is refined to capture the essence of my idea.
Thin strips of fabric are inserted in various configurations to create linear designs.
Machine quilting adds a layer of texture.
The simplicity of the art piece belies the amount of work that goes into the design itself. As in a good recipe, the fewer the ingredients, the more important each one becomes to the successful outcome of the dish.