art quilts

Log Cabin explorations

I am continuing my exploration of the log cabin. The selection below is destined for a minimal modern quilt using the traditional pattern in a new way. So far, I’ve sketched out the design and chosen the colour palette.

hand dyed fabrics in pink and grey for a minimal log cabin quilt

I am continuing the series I started with In Order and am stretching it in new ways. 

Minimal modern quilt x-cross in black and fuchsia
X-Cross by Doris Lovadina-Lee

I love having a structure to begin with and then thinking about the what can change.

In Order log cabin variation for TMQG mini quilt challenge
In Order by Doris Lovadina-Lee

Do I add hand stitching? Machine stitching? Embroidery?

Venetian Lagoon minimal modern log cabin variation
Venetian Lagoon by Doris Lovadina-Lee

Can I use more colours, patterns? What is the minimum?

Fronds minimal modern quilt in grey a log cabin variation
Fronds by Doris Lovadina-Lee

Looking forward to seeing how this new idea evolves. What traditional blocks have you played with?

Fibre Content 2018: the misses!

At the encouragement of a friend I submitted three pieces into the Fibre Content 2018 show being held in the Art Gallery of Burlington from September 6 to 16, 2018. One of the three was accepted! Fibre Content is an exhibit of Canadian fibre art with works in fabric, yarn, paper, and mixed media.

Pixelation I

Artist Statement 

Pixels are the smallest unit of information that makes up an image. What do the they reveal in Pixelation 1?

Pixelation I textile painting by Doris Lovadina-Lee, small bright mosaic squares fused and machine quilted in black frame
Pixelation I by Doris Lovadina-Lee
11 x 14 inches, fabric, dye, thread
Data 2.0 textile painting by Doris Lovadina-Lee
Data 2.0 by Doris Lovadina-Lee
27 x 41.5 inches, fabric, dye, thread

Data 2.0

Artist Statement

Data 2.0 explores the connection between the pixelation occurring in digital formats and the ancient technique of mosaics. One obscures while the other creates patterns.

To see the textile painting that made it along with 90 other fibre art pieces, join me at the Opening Reception at the Art Gallery of Burlington on September 9, 2018 from 1pm to 3 pm. The show will be on from Sept. 6-16, 2018. Visit the Burlington Art Gallery to see some of the best Canadian works in fibre. See you there!

On the Design Wall: Summer

I became a SAQA member!

I recently attended my first meeting of the Studio Art Quilt Associates (SAQA). This large organization is divided into smaller regions and my local is SAQA Central Canada – Ontario and Quebec Artists. Because locals are large and cover so much ground geographically, smaller groups or pods are formed. The pod I attended was in Fergus, Ontario. A very enthusiastic and focused group of artists were in attendance.

small quilt blocks pinned to design wall in Doris Lovadina-Lee's studio

Quilt challenge!

One of the outcomes of our meeting was to work on a challenge. The parameters:

  • size – 12 inches
  • theme – summer
  • due – 2 months

quilt blocks pinned to design board for SAQA theme spring by doris lovadina-lee in progress

I began with some hand dyed fabric and imagined a tall glass of water and ice. How would that look abstracted and constructed using small pieces? The two images are the evolution of my work in progress. I may move a few more pieces around before I begin to stitch. What does summer look like for you?

New textile painting in the Fineline series

It’s been a while since I’ve sat down with the intention of creating some artwork. I was able to do so at a quilt retreat I attended recently. I went to the retreat with the intention of playing and trying something new. The result was this small minimal modern textile painting created with Oakshott Fabrics and one of my hand dyed linens.

small textile painting being quilted by doris lovadina-lee

doris lovadina-lee's machine quilted textile painting

fineline textile painting with oakshott cottons

detail oakshott minimal modern fineline series textile art

It was so much fun to sit and create without expectations! The shot cottons have a beautiful sheen as does the linen. The fabrics add a lot of depth and the machine quilting provide texture. This piece doesn’t have a name yet. What would you call it?

Radiant Light Quilt in Quilts and Health

Quilts and Health is a newly published book exploring the connection between textiles and health.

The authors are:

  • Marsha MacDowell, professor of art at Michigan State University Museum
  • Clare Luz assistant professor, Department of Family Medicine at Michigan State University
  • Beth Donaldson, Digital Humanities Project Asset Coordinator at Michigan State University.

Quilts and Health book by Marsha MacDowell, Clare Lug and Beth Donaldson with radiant light quilt by doris lovadina-lee toronto quilter

These three authors have written a scholarly book that is beautifully illustrated with hundreds of quilts as well as the stories behind them. Through their research they discovered that they could not name a disease that could not be connected to a quilt. Quilts are given as to comfort and memorialize those suffering from so many diseases. The AIDS Memorial quilt is an iconic example.

Radiant Light chakra quilt by doris lovadina-lee toronto artist in book quilts and health

I am thrilled that my quilt: Radiant Light is included in this book.

My quilt appears in chapter three: Individual Experiences of Health and Well-being Through Quiltmaking. Radiant Light is the third in a series of chakra quilts. The first was made for my sister-in-law who was diagnosed with cancer. The second quilt was made as a commission for someone who had seen my first one and had survived this disease. I have since made a fourth quilt: The Vibrant Path.

Quilts and health table of contents with Radiant light quilt by doris lovadina-lee toronto quilter

Excited to see my name and Sandy’s name in the index!

index page quilts and health doris lovadina-lee and sandy lindal

Radiant Light is an original design. The background is pieced as are the leaves. The outline of the woman and the chakras are appliqued. The quilt was beautifully long-arm quilted by Sandy Lindal of Scrappy Gal Quilt Co.

Artist Statement submitted to the Sacred Threads Exhibition:
This quilt embodies the divine life force in women. Chakra centers correspond to seven centers of energy in the human body. These spiraling wheels of vibrational energy channel power into and out of the body. When this vital energy flows easily, we remain in physical, spiritual and emotional alignment. The portrayal of the chakras superimposed on a female figure honours this divine/vital/transformative power. This quilt is a reminder to us all to be nurturing of ourselves, to be present in the moment, and to be in tune with the creative life force within us.

Radiant light art quilt by doris lovadina-lee toronto artist

Radiant Light was accepted and displayed at the Sacred Threads Exhibition 2013. It was purchased by a health professional and is currently on display in their offices. I can’t think of a better location for Radiant Light.

Best artwork of 2017!

Nine of my best liked Instagram posts from 2017. These were automatically generated by logging into: https://2017bestnine.com/.

Best hand dyed scarves, best artwork, best quilts by doris lovadina-lee instagram best nine toronto ontario canada

An interesting way to see your work in relation to how others see it. I was surprised at a couple of inclusions.

Instagram is such a great platform for capturing snapshots of your work. I use Instagram quite a bit in my work to:

  • record works in progress
  • record finished pieces
  • to help me ‘see’ my work at a distance
  • create a visual list take when shopping for materials
  • send information to others

How do you use Instagram in your work?

Vista artwork from the Fineline Series

This series of textile paintings are the first three I created and set on canvas. The canvas was originally painted medium blue. Once the pieces were attached, I found the background was too dark and the quilted artwork did not show well. So, I repainted the canvas white and I am much happier with how the quilted pieces look.

Vista 1

Indigo textile painting on white canvas by doris lovadina-lee for sale, vista

Vista 1
2017 ©Doris Lovadina-Lee
12 x 12 inches
fabric, thread, dye on stretched canvas

fineline series textile painting vista 1 detail doris lovadina-lee artist
Vista 1 detail

 

Vista 2

indigo textile on painted canvas by dorislovadinalee.com artwork for sale
Vista 2
2017 ©Doris Lovadina-Lee
12 x 12 inches
fabric, thread, dye on stretched canvas

Vista 2 detail
Vista 2 detail

 

Vista 3

Vista 3 textile art from fineline series artwork for sale by doris lovadina-lee toronto canada
Vista 3
2017 ©Doris Lovadina-Lee
12 x 16 inches
fabric, thread, dye on stretched canvas

close-up textile painting Vista 3 on 12 x 16 inches indigo for sale by doris lovadina-lee toronto
Vista 3 detail

 

detail of vista 3 fineline series artwork by canadian dorislovadinalee
Vista 3 detail

 

detail of Vista 3 fineline series artwork by doris lovadinalee indigo blue and pale blue
Vista 3 detail

 

Fineline Series

The Fineline series of quilted textiles was an attempt to incorporate some new ideas and techniques. I had:

  • read Gwen Marston’s book: Minimal Quiltmaking
  • dyed some beautiful indigo cotton
  • read Jean Wells book: Intuitive Color & Design
  • attended a quilt retreat with a very small amount of my hand dyed fabrics
  • used canvas to frame quilted pieces

The quilt retreat was the perfect time to play with the ideas of minimalism and experiment with the technique of inserting narrow strips. There was no pressure to create a finished piece. But, I was so happy with the works I created, that I did finish all three!

Inserting very narrow strips of colour into the pieces was very satisfying. Continuing my experiments with this technique, I created tiny pieces of quilted art: Fineline Brooches and recently made: Lipstick and Mascara. I am not finished with the Fineline Series of textile paintings, there is still so much more to explore.

 

Vistas on blue canvas textile paintings by toronto artist doris lee
These are the Vista textile paintings before the change of colour in the background. What do you think of the colour change?

Lipstick and Mascara: textile paintings

I have recently completed four new textile paintings. This series called: Lipstick & Mascara are a part of the Precious Snowflakes Holiday Art Sale and Festival. The Yellow House Gallery on Kingston Road in Toronto with the Cobalt Gallery and Clay Studio are hosting this event. Small pieces of original art  will be on display at these two venues and available for sale from November 17, 2017 to January 20, 2018.

original textile painting made by doris lovadina-lee with hand dyed fabric

Lipstick and Mascara 1
©2017 Doris Lovadina-Lee
6 x 8 inches
hand dyed cottons, commercial fabric, thread over canvas
$96.00

Lipstick and mascara2 an original textile painting by dorislovadinalee.com available at yellow house gallery toronto

Lipstick and Mascara 2
©2017 Doris Lovadina-Lee
8 x 6 inches
hand dyed cottons, commercial fabric, thread over canvas
$96.00

lipstick and mascara detail of quilting and fineline piecing of quilting cottons for the Precious Snowflake art show and sale toronto

Lipstick and Mascara 2 – detail
©2017 Doris Lovadina-Lee
6 x 8 inches
hand dyed cottons, commercial fabric, thread over canvas
$96.00

pink and black small artwork by dorislovadinalee.com called Lipstick and mascara made with hand dyed fabrics for the 2017 christmas art show

Lipstick and Mascara 3
©2017 Doris Lovadina-Lee
8 x 6 inches
hand dyed cottons, commercial fabric, thread over canvas
$96.00

Yellow House Gallery on Kingston Road Toronto hosting a holiday art show and sale with Doris lovadina-lee's piece: Lipstick and Mascara

Lipstick and Mascara 4
©2017 Doris Lovadina-Lee
6 x 8 inches
hand dyed cottons, commercial fabric, thread over canvas
$96.00

detail of lipstick and mascara4 with hand dyed cotton and velvet made by doris lovadina-lee

Lipstick and Mascara – 4 detail
©2017 Doris Lovadina-Lee
6 x 8 inches
hand dyed cottons, commercial fabric, thread over canvas
$96.00

This is a great opportunity to purchase original works of art from local artists.

Quilts on the Wall – Hanging the Show

On Thursday afternoon the 3 members of the Quilts on the Wall, Helen, Catherine and I arrived at the S. Walter Stewart Public Library to hang our art quilts. Helping us was Ann – hanger extraordinaire!

We laid out our pieces and chose our location in the Auditorium. This room has a large window into the children`s department and is open to everyone during regular library hours.

This is the first time ever that Catherine has had any of her quilts on display! It was exciting to see our pieces go up on the wall.

Despite our diverse designs, techniques and style, the show looks great.

In all we created 20 new pieces of art based on the theme: Connections. Glimpses of some of the pieces are shown. But, you will have to come to the S. Walter Stewart Public Library during the month of June in order to see all of the pieces.

Hope to see you at the reception.

 

Verona Tessile 2017 – Part 1

The International Textile Art Contest

Early in the new year I began working on a new piece for the International Textile Art Contest, held in Verona, Italy. My piece, The Fever was accepted into this juried show. When I was notified of my acceptance, I decided to attend Verona Tessile 2017.

Palazzo dei Mutilati Verona, Italy
Palazzo dei Mutilati Verona, Italy

Verona Tessile is organized by the Ad Maiora Association, in collaboration with the Verona Municipality to promote textiles as an art form. This year, the theme of the International Textile Art Contest was: Love, the red thread that unites. Thirty-four works were accepted into the show, one of which was my piece: The Fever.

Entrance to the International Textile Art Contest in the Palazzo dei Mutilati Verona, Italy
Entrance to the International Textile Art Contest in the Palazzo dei Mutilati Verona, Italy

The international exhibit was held at the Palazzo dei Mutilati in the historic centre of Verona, steps from the Verona Arena a Roman amphitheatre. Eight other exhibitions were held around Verona, highlighting quilts and textile arts. More photos on these will come later!

THE FEVER

The Fever at the Palazzo dei Mutilati, Verona Italy
The Fever at the Palazzo dei Mutilati, Verona Italy
The Fever in progress
The Fever in progress

Last year I made Spiral, a small quilt for the Crossing Borders Art Group. I knew I wanted to try the same technique to make a larger work. The Verona Tessile International exhibit provided the perfect opportunity. I began with a selection of fabrics in black to grey, burgundy to pink in hand dyed and commercial cottons, linens, and silk and pieced a large log cabin block.

The Fever laying out the spiral
The Fever laying out the spiral

Once the log cabin top was completed, I drew a spiral freehand, coming out of the centre square. With my hand dyed cotton, I made a narrow bias strip which was pinned and pressed into the spiral shape I had drawn.

The Fever cutting spiral
The Fever cutting spiral

Next was the scariest step – cutting the spiral!

The Fever inserting bias
The Fever inserting bias

The bias strip was carefully stitched from the centre square out. I love how inserting the bias strip caused the log cabin to twist around, distorting the block. The central portion was layered with wool batting over cotton quilt batting and machine quilted in a spiral.

The Fever detail
The Fever detail

In submitting my piece into the Verona Tessile show, I need to write a description of the techniques, materials and motivation behind the work. This is the what I wrote:

In my piece, The Fever, the bright red thread of love emerges from the central square of a log cabin block. Traditionally this center square was made out of red cloth representing the heart and hearth of the home. In The Fever, the central square contains both reds and black because love can be pure and selfless or false and egotistical. The block was constructed with strips of fabric ranging from pale pink to deep burgundy and from gray to black. As the red bias spirals through the log cabin quit, it cuts through the dark shadows and the bright sunshine, just as love changes and evolves. This piece continues my exploration of the symbolic log cabin block to make a piece that is modern and contemporary. The Fever is machine pieced with hand dyed fabrics, commercial cottons, silk, and linen. It is machine quilted with a walking foot in a spiral pattern through three layers of batting in the central portion of the quilt.

The Fever by Doris Lovadina-Lee
The Fever by Doris Lovadina-Lee

It was exciting to be able to attend the Verona Tessile show in person. So many talented quilters created beautiful pieces with the theme: Love, the red thread that unites. The next post, I will highlight some of these spectacular quilts.

 

0

Your Cart