fibre art

Stitch Meditation – Day 1 and 2

I am so happy to have people express interest in following along on the 100 Day Stitch Meditation. I have already added a few more threads and fabrics to the box :). I look forward to seeing what you are making. Share your stitch meditations on Instagram and Facebook using: #stitchmeditation2019, #100daysofart, #slowstitchmovement or leave me a comment below.

A couple of people who were thinking about participating were having difficulty with the idea of creating just for the sake of creating. They felt they needed a goal to work towards. Two textile artists: Lisa Call and Linda McLaughlin have engaged in daily art projects with parameters around making with end goals. They have participated in daily, weekly and 100 day challenges. Each artist has their own reason for starting and continuing their projects over the years.

stitch meditation day 1 a blue indigo dyed 5 inch square with white running stitches by doris lovadina-lee
Indigo dyed cotton, perle cotton

Lisa Call: 100 Days Project 2016

Lisa Call is a textile artist living in New Zealand. Her website is: Lisa Call Fine Art – Contemporary Textile Paintings. She began her first 100 Days Project shortly after moving to New Zealand from the United States in 2016. Lisa participated in this annual 100 Days Project which culminated in a Pop-Up, so she would set up her studio and begin creating. Her parameters for the project: create textile paintings that would finish at 6×6 inch (15×15 cm) and use monochromatic colours from her hand dyed fabrics.

Lisa Call: 100 Days Project 2017

Lisa continued her 100 Days Project in 2017. This time her parameters were to make textile paintings that finished at 5×5 inches (13×13 cm) and explored mark making on fabric. Her palette was limited to black and white. She also knew that to keep herself motivated to finish this time, she needed to have a goal at the end of the 100 days. So, Lisa contacted the Tutere Gallery and spoke to the owner. The gallery owner, an artist herself, along with Lisa and four other artists committed to the 100 Day Project and to hold an exhibit at the end. The photograph below shows Lisa’s artwork on display in the gallery along with the artwork of textile artist Sara Boland at the Tutere Gallery.

Artwork by Lisa Call and Sara Boland in the Tutere Gallery, New Zealand.
Lisa Call (fabric, paint, thread on canvas) – left
Sara Boland (stitch, fabric, mixed media on paper – right
Photograph Courtesy of Lisa Call.

Lisa Call: 100 Days Project 2018

For her 2018 100 Days Project, Lisa continued her exploration of mark making using pencil, ink and charcoal on paper. Each piece was 5×5 inches (13×13 cm). She also considered finishing the drawings and making them available for sale. At Day 50 of the project, Lisa decided to not worry about selling the sketches and this gave her freedom from the pressure of creating for others. As well as participating in the project, Lisa was leading a group of over 50 artists from around the world in their own 100 Day practice. Each artist set their own parameters around the project and their progress was shared on Facebook. Lisa has written a blog post about her feelings and experience around 100 Day Projects. She found that making one piece of art every day was not realistic for her lifestyle. Lisa changed the parameters around creating in order to make it work for her, she says: “I will complete 100 textile paintings by the end of the 100 days – working on the project every day that I am home, which will be most days.” Now Lisa finds that the project has become a habit, where she consistently sketches, not everyday, but as a part of her art practice.

stitch meditation day 2 a five inch square fuchsia, blue fabric stitched in pink and indigo blue perle cotton embroidery by Doris lovadina-Lee
Snow dyed cottons, hand dyed perle cotton, rayon thread

Purpose for Stitch Meditation

  • create a finished piece to offer for sale
  • create a series of works to display in a gallery, coffee shop, library
  • create a small piece daily that can be combined into a one larger piece at the end of the 100 days, or five pieces smaller pieces, or …
  • create a sampler as a reference for your stitches
  • create small pieces that can be combined with other mediums to create mixed media artwork
  • create to focus on one technique and play with variations
  • create to have a teaching aid of techniques
  • create to explore a new product, such as fabric paint
  • create for the sake of creating something you love

Stitch Resources

In the next post I discuss the daily and weekly projects of Linda McLaughlin.

I hope reading about Lisa’s experiences with her 100 Days Projects will give you some ideas for your project. How are you feeling about the project? Are you enjoying just playing with colours and stitches to create something pleasing? Are you stressing about it being perfect? I encourage you to keep practicing – one stitch at a time.

  

Stitch Meditation – a journey

2019 will be a year of slowing down and being more productive. I know that sounds counterintuitive, but my hope is that planning, prioritizing and scheduling will keep me motivated in creating artwork and spark some new ideas.

3 samples of stitch meditations by doris lovadina-lee

I have been rushing my projects to meet deadlines and not enjoying the process. So, I decided to begin a 100 day Stitch Meditation Challenge for myself. Twice a week for the year 2019 I will sit quietly and hand stitch.

stitch meditation on a five inch square of hand dyed fabric with various hand stitches created by doris lovadina-lee

In the past few years, I’ve seen creatives embark on their own year long projects and wishfully thought about joining in. Realistically, I didn’t and still don’t feel I have time to work on a creative project daily. I certainly daydreamed about how that would look for me. But, the reality of sitting down to incorporate a daily project into my routine only caused me to become anxious and stressed.

green, black and yellow hand dyed fabric held together with running stitch by doris lovadina-lee

As daily and 100 day projects popped up on social media recently, I decided to see how I could realistically commit to a year long art project. 100 days sounded more doable than daily. Then I calculated that 100 days in a year works out to twice a week. I certainly could fit two sessions of 20-40 minutes into a week!

box of supplies for stitch meditations by doris lovadina-lee

I researched what other creative people did for their daily projects and have listed a few resources below. 100 days of Stitch Meditation is tailored for my life and my schedule. I want this project to work for me. I invite you to create your own year long practice. It can be machine stitching, drawing, painting, singing, whatever makes you happy. I’ve set out an outline of my project and will experiment with what works and what doesn’t, changing and editing as the year progresses.

100 Day Parameters

  • 100 days over the year – therefore twice a week or whatever works for you
  • spend between 20-40 minutes
  • any size – I am choosing 5” square
  • keep a curated collection of supplies in a container so it’s ready to go
  • don’t focus on the outcome, be in the moment of creation
  • experiment with new ideas, supplies, techniques – stitches, thread, and fabric combinations (insert your medium)
  • will share on Instagram with hashtag: #stitchmeditation2019 and #100daysofart2019
hand stitching supplies for stitch meditations by doris lovadina-lee

Stitch Resources

  • Video: Stitch Meditations with Liz Kettle of Textile Evolution
  • Podcast: Liz Kettle explains Daily Stitch Meditations on The Slow Stitching Movement Podcast
  • Essay: Swinnerton, Emma Louise. Mindful Stitch: Generating Dialogue In and Around the Threads of Wellbeing. 2014
  • Blog: Wellesley-Smith, Claire. Slow Stitch: Mindful and Contemplative Textile Art. London: Batsford, c2015.
  • Website: 1 year of stitches by Hannah Claire Somerville
five inch square of hand dyed fabric with french knots and running stitch by doris lovadina-lee

This is only a brief list of resources available. As my year long stitch meditation journey unfolds, I will be sharing photos and more resources. Are you planning on joining me? I would love to hear from you. Share your favourite photos, websites, and books with me.

3 samples of stitch meditations by doris lovadina-lee

I hope you take time this year to really enjoy the process and to create what makes you happy and feeds your creativity. Let’s being the journey!

Chakra series note cards

I am happy to be making my series of Chakra quilts available on blank note cards. Photographs of my art quilts are mounted on heavy weight card stock with matching envelope. 

Chakra is a Sanskrit word that means wheel of light. These spinning centres of vitality move energy up through our bodies keeping our physical, spiritual, and emotional selves in harmony. 

Danielle's chakra quilt wallhanging blue figure on green and turquoise background by toronto ontario artist doris leeDanielle’s Quilt was the first chakra quilt I designed and made for my sister-in-law whose body was out of alignment – she had been diagnosed with breast cancer. Each chakra is appliqued in the colours and symbols associated with that area of the body.
blank note card from doris lovadina-lee's original art quilt The Vibrant Path
The Vibrant Path quilt was entered into the Sacred Threads Exhibit and I documented the process in previous posts.
Chakra Quilt female figure with red and orange background seated on lotus blank card lovadina-lee

The Chakra Quilt above was a commissioned piece. It is the largest in this series at 90″ by 105″. I love the flames of orange and red behind the seated figure!

radiant light quilt on blank art card by doris lovadina-lee

Radiant Light was purchased by a healthcare professional and is hanging in their office. This quilted art piece has also been published in the book: Quilts and Health by Marsha MacDowell, Clare Luz, and Beth Donaldson. More about this quilt and book is in this post

art quilt photo on blank greeting card doris lovadina-lee

Simplifying the chakra symbols into their most basic elements, I used hand dyed fabrics to create Modern Mosaic Chakra.

Each blank note card is 12.7 cm x 17.8 cm (5″ x 7″) and comes with an envelope. This Chakra series of cards as well as the Flora & Fauna series are available in my shop.

Yorkshire Rose Quilt Show 2018

Join me at see an inspiring display of quilts made by the members of the Yorkshire Rose Quilters’ Guild of Toronto.  Over 100 quilts will be on display Saturday and Sunday September 22-23, 2018.

Yorkshire Rose Quilters' Guild of Toronto Quilt show poster 2018

A detail from one of my textile paintings is visible in the lower right corner of the postcard. To see the entire piece and the rest of the quilts I have in the show, come to the Ellesmere Community Centre, 20 Canadian Road, Scarborough.

Hope you can join us and view the quilts, shop for fabric and rest and enjoy some sweets in the tearoom.

Summer – Over Ice

My first ever SAQA challenge is finished. I wrote about the piece in progress and it is now complete. My inspiration was a glass of Gin and Tonic – a tall cool summertime drink. I picked out a selection of hand dyed fabrics in all shades of blue from deep indigo to turquoise, to pale aquamarine. The texture of the fabrics range from soft silk velvet, metallic cottons, linens and canvas. I love the addition of the greenish-yellow metallic linen. It’s the perfect wedge of lime!
SAQA mini quilt challenge Summer - Over Ice quilt by Doris Lovadina-Lee

Summer – Over Ice
2018 ©Doris Lovadina-Lee
12 x 12 inches
fabric, thread, dye

Detail of Summer - Over Ice quilt showing quilting and fabrics by doris lovadina-lee I hope you have all had time to enjoy your favorite summertime drink!

Log Cabin explorations

I am continuing my exploration of the log cabin. The selection below is destined for a minimal modern quilt using the traditional pattern in a new way. So far, I’ve sketched out the design and chosen the colour palette.

hand dyed fabrics in pink and grey for a minimal log cabin quilt

I am continuing the series I started with In Order and am stretching it in new ways. 

Minimal modern quilt x-cross in black and fuchsia
X-Cross by Doris Lovadina-Lee

I love having a structure to begin with and then thinking about the what can change.

In Order log cabin variation for TMQG mini quilt challenge
In Order by Doris Lovadina-Lee

Do I add hand stitching? Machine stitching? Embroidery?

Venetian Lagoon minimal modern log cabin variation
Venetian Lagoon by Doris Lovadina-Lee

Can I use more colours, patterns? What is the minimum?

Fronds minimal modern quilt in grey a log cabin variation
Fronds by Doris Lovadina-Lee

Looking forward to seeing how this new idea evolves. What traditional blocks have you played with?

Fibre Content 2018: the misses!

At the encouragement of a friend I submitted three pieces into the Fibre Content 2018 show being held in the Art Gallery of Burlington from September 6 to 16, 2018. One of the three was accepted! Fibre Content is an exhibit of Canadian fibre art with works in fabric, yarn, paper, and mixed media.

Pixelation I

Artist Statement 

Pixels are the smallest unit of information that makes up an image. What do the they reveal in Pixelation 1?

Pixelation I textile painting by Doris Lovadina-Lee, small bright mosaic squares fused and machine quilted in black frame
Pixelation I by Doris Lovadina-Lee
11 x 14 inches, fabric, dye, thread

Data 2.0 textile painting by Doris Lovadina-Lee
Data 2.0 by Doris Lovadina-Lee
27 x 41.5 inches, fabric, dye, thread

Data 2.0

Artist Statement

Data 2.0 explores the connection between the pixelation occurring in digital formats and the ancient technique of mosaics. One obscures while the other creates patterns.

To see the textile painting that made it along with 90 other fibre art pieces, join me at the Opening Reception at the Art Gallery of Burlington on September 9, 2018 from 1pm to 3 pm. The show will be on from Sept. 6-16, 2018. Visit the Burlington Art Gallery to see some of the best Canadian works in fibre. See you there!

Shop KOKITO for snow dyed shibori scarves!

I spent a lovely day in Prince Edward County meeting Shelley of KOKITO. This is a charming shop on Main Street in the town of Bloomfield, Ontario where the owners, Shelley Durnin and Jennifer Hadenne curate a beautiful selection of Canadian made and designed items. 

 

lamps, hoodies, bags handmade in canada available in Kokito a shop in southern ontario

Bloomfield is a small town located in the centre of the County. The Main Street is lined with small shops, restaurants and galleries. Everything is within walking distance and the shore of Lake Ontario is close by.

scarves, blankets, pillows and cards on display in back of Kokito store, locally made artisan shopThe shop stocks a great selection and variety of products all made by local artisans. Shelley and Jennifer source all the wares they sell in the shop personally, so every member of the family can find something they love. Kokito’s motto is: “Canadian Design and Lakeside Living” and this certainly describes the aesthetic of the shop.  

Shelves with hand made canadian items in KOKITO shop, Bloomfield Ontario

KOKITO store in Bloomfield ontario gift shop

I am happy to share that Kokito will be carrying my snow dyed shibori scarves as well as indigo napkins and table runners. The stack of hand dyed pieces below will already be out on display in the shop. 

shibori scarves, hand dyed placemats, indigo table runner available at Kokito in Bloomfield ontario shop

Prince Edward County is an area of southern Ontario that I had not visited. It has been described by friends as a beautiful, peaceful, yet vibrant place. I can see why! I hope you have the opportunity to travel to Bloomfield and meander around this pretty little town. When you do, visit Kokito and shop the beautiful locally made artisanal products for yourself or to give as gifts. You won’t be disappointed! 

New textile painting in the Fineline series

It’s been a while since I’ve sat down with the intention of creating some artwork. I was able to do so at a quilt retreat I attended recently. I went to the retreat with the intention of playing and trying something new. The result was this small minimal modern textile painting created with Oakshott Fabrics and one of my hand dyed linens.

small textile painting being quilted by doris lovadina-lee

doris lovadina-lee's machine quilted textile painting

fineline textile painting with oakshott cottons

detail oakshott minimal modern fineline series textile art

It was so much fun to sit and create without expectations! The shot cottons have a beautiful sheen as does the linen. The fabrics add a lot of depth and the machine quilting provide texture. This piece doesn’t have a name yet. What would you call it?

Best artwork of 2017!

Nine of my best liked Instagram posts from 2017. These were automatically generated by logging into: https://2017bestnine.com/.

Best hand dyed scarves, best artwork, best quilts by doris lovadina-lee instagram best nine toronto ontario canada

An interesting way to see your work in relation to how others see it. I was surprised at a couple of inclusions.

Instagram is such a great platform for capturing snapshots of your work. I use Instagram quite a bit in my work to:

  • record works in progress
  • record finished pieces
  • to help me ‘see’ my work at a distance
  • create a visual list take when shopping for materials
  • send information to others

How do you use Instagram in your work?

0

Your Cart