Join me Saturday May 26, 2018 at the Artfest on the Esplanade from 11-5. This annual event takes place at The Esplanade Park in the City of Pickering. I will have a booth displaying my hand dyed shibori scarves.
I have kept busy this winter creating a line of unique and beautiful snow dyed scarves.
The Canadian snow collection of hand dyed scarves need to be seen in person to appreciate the subtle changes of colour and pattern. No two scarves are the same and no scarf is identical from one end to the other!
It’s been a while since I’ve sat down with the intention of creating some artwork. I was able to do so at a quilt retreat I attended recently. I went to the retreat with the intention of playing and trying something new. The result was this small minimal modern textile painting created with Oakshott Fabrics and one of my hand dyed linens.
It was so much fun to sit and create without expectations! The shot cottons have a beautiful sheen as does the linen. The fabrics add a lot of depth and the machine quilting provide texture. This piece doesn’t have a name yet. What would you call it?
Clare Luz assistant professor, Department of Family Medicine at Michigan State University
Beth Donaldson, Digital Humanities Project Asset Coordinator at Michigan State University.
These three authors have written a scholarly book that is beautifully illustrated with hundreds of quilts as well as the stories behind them. Through their research they discovered that they could not name a disease that could not be connected to a quilt. Quilts are given as to comfort and memorialize those suffering from so many diseases. The AIDS Memorial quilt is an iconic example.
I am thrilled that my quilt: Radiant Light is included in this book.
My quilt appears in chapter three: Individual Experiences of Health and Well-being Through Quiltmaking. Radiant Light is the third in a series of chakra quilts. The first was made for my sister-in-law who was diagnosed with cancer. The second quilt was made as a commission for someone who had seen my first one and had survived this disease. I have since made a fourth quilt: The Vibrant Path.
Excited to see my name and Sandy’s name in the index!
Radiant Light is an original design. The background is pieced as are the leaves. The outline of the woman and the chakras are appliqued. The quilt was beautifully long-arm quilted by Sandy Lindal of Scrappy Gal Quilt Co.
Artist Statement submitted to the Sacred Threads Exhibition:
This quilt embodies the divine life force in women. Chakra centers correspond to seven centers of energy in the human body. These spiraling wheels of vibrational energy channel power into and out of the body. When this vital energy flows easily, we remain in physical, spiritual and emotional alignment. The portrayal of the chakras superimposed on a female figure honours this divine/vital/transformative power. This quilt is a reminder to us all to be nurturing of ourselves, to be present in the moment, and to be in tune with the creative life force within us.
Radiant Light was accepted and displayed at the Sacred Threads Exhibition 2013. It was purchased by a health professional and is currently on display in their offices. I can’t think of a better location for Radiant Light.
This series of textile paintings are the first three I created and set on canvas. The canvas was originally painted medium blue. Once the pieces were attached, I found the background was too dark and the quilted artwork did not show well. So, I repainted the canvas white and I am much happier with how the quilted pieces look.
attended a quilt retreat with a very small amount of my hand dyed fabrics
used canvas to frame quilted pieces
The quilt retreat was the perfect time to play with the ideas of minimalism and experiment with the technique of inserting narrow strips. There was no pressure to create a finished piece. But, I was so happy with the works I created, that I did finish all three!
Inserting very narrow strips of colour into the pieces was very satisfying. Continuing my experiments with this technique, I created tiny pieces of quilted art: Fineline Brooches and recently made: Lipstick and Mascara. I am not finished with the Fineline Series of textile paintings, there is still so much more to explore.
These are the Vista textile paintings before the change of colour in the background. What do you think of the colour change?
Earlier last year, I dyed some cotton fabric in indigo. The texture and the colour changed from pale blue to a deep indigo. I really liked the design of this piece and I wanted to keep it intact as much as possible. My inspiration to use this indigo fabric was a modern painting I saw in a decorating magazine. The artwork had three large bands of colour running horizontally with the colours blending together.
I pulled a deep indigo piece of fabric and a pure white cotton pique to use with the ombre. I took many photos while deciding on the proportions of the white pique. Some of the photos were taken in the evening as I was working to create this piece for a deadline.
My first attempts had the darker indigo on top. I tried many positions, folding, pinning and moving the white pique until I was certain of the final size.
During this process, I tried rotating the fabric so that the darkest indigo was on top, bottom and either side. Initially, I thought that having the piece run from dark at the top to light on the bottom worked the best. You can see that I finally decided to orient the fabric so that the lightest colour is on top, moving down toward the darker.
Sight is part of my Fineline Series of textile paintings. In this series, I have been exploring abstract minimal design.
Each piece is refined to capture the essence of my idea.
Thin strips of fabric are inserted in various configurations to create linear designs.
Machine quilting adds a layer of texture.
The simplicity of the art piece belies the amount of work that goes into the design itself. As in a good recipe, the fewer the ingredients, the more important each one becomes to the successful outcome of the dish.