This series of textile paintings are the first three I created and set on canvas. The canvas was originally painted medium blue. Once the pieces were attached, I found the background was too dark and the quilted artwork did not show well. So, I repainted the canvas white and I am much happier with how the quilted pieces look.
attended a quilt retreat with a very small amount of my hand dyed fabrics
used canvas to frame quilted pieces
The quilt retreat was the perfect time to play with the ideas of minimalism and experiment with the technique of inserting narrow strips. There was no pressure to create a finished piece. But, I was so happy with the works I created, that I did finish all three!
Inserting very narrow strips of colour into the pieces was very satisfying. Continuing my experiments with this technique, I created tiny pieces of quilted art: Fineline Brooches and recently made: Lipstick and Mascara. I am not finished with the Fineline Series of textile paintings, there is still so much more to explore.
These are the Vista textile paintings before the change of colour in the background. What do you think of the colour change?
Earlier last year, I dyed some cotton fabric in indigo. The texture and the colour changed from pale blue to a deep indigo. I really liked the design of this piece and I wanted to keep it intact as much as possible. My inspiration to use this indigo fabric was a modern painting I saw in a decorating magazine. The artwork had three large bands of colour running horizontally with the colours blending together.
I pulled a deep indigo piece of fabric and a pure white cotton pique to use with the ombre. I took many photos while deciding on the proportions of the white pique. Some of the photos were taken in the evening as I was working to create this piece for a deadline.
My first attempts had the darker indigo on top. I tried many positions, folding, pinning and moving the white pique until I was certain of the final size.
During this process, I tried rotating the fabric so that the darkest indigo was on top, bottom and either side. Initially, I thought that having the piece run from dark at the top to light on the bottom worked the best. You can see that I finally decided to orient the fabric so that the lightest colour is on top, moving down toward the darker.
Sight is part of my Fineline Series of textile paintings. In this series, I have been exploring abstract minimal design.
Each piece is refined to capture the essence of my idea.
Thin strips of fabric are inserted in various configurations to create linear designs.
Machine quilting adds a layer of texture.
The simplicity of the art piece belies the amount of work that goes into the design itself. As in a good recipe, the fewer the ingredients, the more important each one becomes to the successful outcome of the dish.